片名:《马隆布拉[电影解说]》
类型:短剧
上映时间:1942
上映地区:其它
导演:Mario Soldati
主演:Isa Miranda,Andrea Checchi,Irasema Dilián,Gualtiero Tumiati,Nino Crisman,Enzo Biliotti,Ada Dondini,Giacinto Molteni,Corrado Racca,Luigi Pavese,Nando Tamberlani,Doretta Sestan,Paolo Bonecchi,Elvira Bon
集数: 更新至0集
语言:
【华威影院】推荐短剧马隆布拉[电影解说]高清在线免费观看全集720P播放地址，马隆布拉[电影解说]剧情紧凑节奏流畅，深深吸引了马隆布拉[电影解说]观众的喜爱。马隆布拉[电影解说]的演员包括Isa Miranda,Andrea Checchi,Irasema Dilián,Gualtiero Tumiati,Nino Crisman,Enzo Biliotti,Ada Dondini,Giacinto Molteni,Corrado Racca,Luigi Pavese,Nando Tamberlani,Doretta Sestan,Paolo Bonecchi,Elvira Bon，演技精湛情感细腻,，每个角色都栩栩如生,，令人叹为观止。
《马隆布拉[电影解说]》观后点评：马隆布拉[电影解说]的摄影和美术设计简直是一流的，每个场景画面如诗如画；马隆布拉[电影解说]的音乐也是一大亮点，它完美地融入到剧情当中，给观众带去视觉享受和极大的情感共鸣，是一部不得不看的短剧。
《马隆布拉[电影解说]》抖音网友点评：马隆布拉[电影解说]的导演Mario Soldati相当出色，运用不同的拍摄手法，让观众感受到不同的观影体验；马隆布拉[电影解说]运动先进的特效技术，将虚拟与现实的世界巧妙地结合在一起，给观众带来震撼的视觉体验。是一部精彩的短剧。
马隆布拉[电影解说]讲述了：This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream. Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge... What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent. It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!Copyright © 2015-2020 All Rights Reserved
Copyright © 2015-2020 All Rights Reserved
